Month: October 2023
Cam Awkward-Rich Supplemental Material (For Those Interested!)
What to Do Over the Weekend before Tuesday, 10/24
While you do not have a post due over the weekend, I would like you to begin thinking about and writing Response Paper #1. Specifically, I would like you to develop a *rough* thesis statement over the weekend.
Please bring your rough thesis statement to class on Tuesday. This may be neatly hand-written on a clean sheet of paper, or it may be typed out. JUST MAKE SURE YOU HAVE A HARD COPY OF YOUR THESIS!
Again, this can be ROUGH. No need to produce something anywhere near perfect. We will spend some time on Tuesday reading each other’s theses and offering feedback.
If you want assistance over the weekend, please feel free to email me, and I will be happy to offer advice and feedback. In addition, you can see me in my office before class on Tuesday to chat about your thesis/paper.
Below is the handout we went over in class.
CA Conrad Supplemental Material (For Those Interested!)
Take a look at some of the supplemental material below concerning the delightfully strange–and certainly formidable!–CA Conrad.
ESSAY by Conrad: “The Queer Voice: Reparative Poetry Rituals & Glitter Perversions“
Writing Prompts: CA Conrad’s (Soma)tic Poetry Exercises
Interview: The Rumpus Interviews CA Conrad
Response Paper #1 Prompt and Other Resources
Below is the prompt for your first response paper, along with several other handouts from class.
CLASS CANCELED TONIGHT, THURSDAY 10/12
Hello, everyone,
Unfortunately, I am not feeling well today and will need to cancel our class tonight.
I’m sorry for the short notice and inconvenience.
If you have not yet completed your fourth post assignment, please do so today.
In lieu of class, I am going to ask that, before we meet again on Tuesday, you respond to at least TWO of your classmates’ post assignments. That way, we can have at least a little bit of conversation about the poems we were supposed to talk about today. I will also be offering some responses.
For complete instructions on how to respond to your classmates’ posts, see here:
Please reach out if you have any questions!
Post Assignment #5: Responding to Your Classmates’ Fourth Post
In light of our canceled class on Thursday, 10/12, I would like you to take some time to respond to a couple of your classmates’ fourth post assignments.
Please complete the following:
- First, make sure you have completed your fourth post assignment.
- After you have completed your fourth post, read through the posts of your classmates.
- Select TWO posts to reply to. Be sure to prioritize those posts that do not yet have any replies. Click the “reply” button at the bottom of your selected posts and write a paragraph in which you respond to your classmate’s interpretation of their selected poem. Do you agree with their interpretation? If so, why? Do you have a slightly different interpretation? If so, explain.
Offer your replies by 5 PM on Tuesday, 10/17.
In addition, be sure to read “Glitter in My Wounds” and “You Cannot Return a Stretched Mind” by Caconrad before class on Tuesday. You can access the link to the anthology below. It is also available on the course schedule page.
Post Assignment #4: Close Reading the Poetry of We Want It All
Read and annotate the poems by Marvin, Abi-Karam, and Johnson. Then, select the poem that piqued your interest the most, and complete the following.
- In a paragraph, describe what “happens” in the poem. Or, put another way, describe what you think the poem means. What is the poet attempting to communicate in writing this poem? Remember, it is completely fine to be speculative! But also remember that you are making an INTERPRETIVE CLAIM, an ARGUMENT about the meaning of the poem.
- In a second paragraph, do your best to describe HOW the poem develops its meaning. Does the poet, for example, employ any interesting metaphors or similes? Does the poet personify a particular object or place? Does the poet use any shocking or strange words? Does the poet employ vivid or evocative language to describe a person, place, thing, or idea? Does the poet seem to use any hyperbolic language? There are many, many ways to approach this!
- In a third paragraph, try to determine how your selected poem supports, challenges, or otherwise addresses some of the ideas raised in the secondary readings we have encountered in this class (this includes the readings by Ahmed, Freud, Malatino, and Chu). Does your poem, for example, describe a particular loss that can be usefully understood through Freud’s schema of mourning vs. melancholia? Does your poem describe the negative feelings that very often accompany the “lag” time of transition described by Malatino? Does your poem deal with matters of happiness and “the good life” as described by Ahmed? Or maybe something else! Again, there are many, many ways to approach this. If you are having a difficult time drawing a connection between your selected poem and the secondary readings listed above, you may instead reflect on how your poem embodies some of the political ideals espoused by Abi-Karam and Gabriel in their introduction to the anthology.
Submit your response below as a comment.
COMPLETE BY THURSDAY, 10/12, @ 5:00 p.m.


